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Filmfestivals com has an eye for SciFi: check our fantastic selection

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CHIMERA by Maurice Haeems, SciFi Thriller October 2017 80 minutes
Chimera features Emmy-nominee Henry Ian Cusick (Lost) and Oscar-nominee Kathleen Quinlan (Apollo 13) in the two leading roles. This is Maurice Heems' first feature film.

A brilliant but disturbed scientist decides to freeze his children alive, while he races against time to cure their deadly genetic disease by unlocking the secret of immortality encoded within the DNA of the Turritopsis jellyfish.




 

Total Running Time: 80 minutes Aspect Ratio: 2.66:1 Countries of Production: UAE, India, USA

Website I Profile on filmfestivals.com I Trailer I IMDB I Ask for a screener

 

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THE DROID by Marc Goldstein

Becoming human... at all cost? 
84 minutes Belgian

What happens when a domestic droid, outfitted with a highly sophisticated personality chip makes a move to take his master hostage for his own good? 
Told with offbeat humor by the droid himself, a story eminently human, about what's good in men, about the quest of a machine, and eventually about love and respect for mankind. 
A cult movie in the making!

 

 

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Check our curated selection "Ones to Watch for fests' by filmfestivals.com

OtherWorlds 2017 announces full slate including Texas Premiere of Closing Film CURVATURE!

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Other Worlds Austin SciFi Film Festival has announced its final wave of programming for Austin’s first and only SciFi film festival (Dec 7-10) at Flix Brewhouse. The slate includes the Texas premiere of Closing Night Film CURVATURE  the North American premieres of TUFTLAND and RESTORATION; the US Premiere of DEFECTIVE; and the special retro screening of the 1979 Disney classic THE BLACK HOLE, with Defender of the Universe Awardee director Gary Nelson.

 

In addition, Other Worlds Austin will present three fantastic shorts programs, one entirely dedicated to the horror sidebar, Under Worlds Austin.  “Every year we welcome submissions from all over the galaxy, and every year we seem to have harder choices,” says Bears Fonté, OWA Founder and Artistic Director. “Our Under Worlds program is especially strong for year two, including the Finnish brooding horror TUFTLAND—sort of a ROSEMARY’S BABY meets MARTHA MARCY MAE MARLENE. I met writer/director Roope 

Olenius a few years ago when I programmed BUNNY THE KILLER THING at SF Indiefest, and he reached out to me with his directorial debut.” “HOSTILE and FLORA are both crossover Horror/SciFi films that will please fans of both genres,” says Jordan Brown, Associate Artistic Director, “and I love FLORA’s 1929 setting, and botanical backdrop. RESTORATION is another North American Premiere and plays like an Australian episode of BLACK MIRROR.”

 
Also at the festival this year, OWA will venture into midnight madness territory with the World Premiere of PURPLE FURY. “As for PURPLE FURY,” Fonté demurs, “I can neither confirm nor deny that it features the talents of George Miller, Deep Purple, Prince and Stone Temple Pilots. Roger Waters claimed they never actively tried to sync Dark Side of the Moon with Wizard of Oz, and I’m pretty sure no one ever intended this pairing either.”
 
Other Worlds Austin has previously announced a special retro screening of the SciFi cult classic EVENT HORIZON, with screenwriter Philip Eisner and the Texas premiere of Opening Night Film BEYOND SKYLINE. Badges for the festival start at $60 and can be purchased here. Prices go up November 1st. Check out a teaser clip from Closing Night Film CURVATURE below.
 

Curvature (2017)  "Phone Call" clip

 

 

 

 

       

 

 
 
 

 

 

   

 

 

 
 
 

 

Melies d'argent winner at San Sebastian Horror and Fantasy Festival 2017

French short wins the Méliès d'Or 2017: Expire by Magali Magistry.

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Trieste Science+Fiction Festival

The European Fantastic Film Festivals Federation (EFFFF) is pleased to announce the winners of the 21st Méliès d'Or competition for European fantastic film. 

2017 Méliès d'or winner - Best European Fantastic Film

The Méliès d'Or for feature film was awarded to Thelma by Joachim Trier (Norway).

 

The Méliès d'Or for short film went to Expire by Magali Magistry (France).

 

This year's Méliès jury was composed of Jean-François Rauger (president), Beatrice Fiorentino and Fabrizio Liberti.

 

The Méliès d'Or ceremony took place on 3 November in Trieste, and was hosted by the Trieste Science+Fiction Festival. It marked the culmination of a unique cycle of ongoing competitions held by 16 members of the EFFFF in 11 European countries, during 2016/17. The winning films (see below) were awarded a Méliès d'Argent and a nomination for the21st Méliès d'Or competition.

 

Founded in 1987, the EFFFF has become the world’s largest festival network with 22 film festivals from 17 countries and a global reach of more than half a million of visitors, making it a vital player in the promotion of European genre cinema, both in Europe and abroad. 

 

The goal of the EFFFF is to promote European fantastic film productions by enhancing their visibility and standing with both the public and industry. The Méliès competition was

launched in 1996 to help achieve these goals and has been one of the principal activities of the Federation since that date.

 

 

The 8 nominees for the feature Méliès d'Or were:

 

Cold Hell / Die Hölle

Germany/Austria

Stefan Ruzowitzky 

Awarded at MOTELX – Lisbon International Horror Film Festival, 2017

 

Sum of histories /Terug Naar Morgen

Belgium

Lukas Bossuyt

Awarded at Trieste Science+Fiction Festival, 2016

 

The Bar/El bar

Spain/Argentina

Álex de la Iglesia

Awarded at the Neuchâtel International Fantastic Film Festival, 2017 

 

Small Town Killers/Dræberne fra Nibe

Denmark

Ole Bornedal 

Awarded at the Brussels International Fantastic Film Festival, 2017

 

Pieles/Skins

Spain

Eduardo Casanova 

Awarded at the Imagine Film Festival, 2017

 

Let the corpses tan/Laissez bronzer les cadavres

France/Belgium

Hélène Cattet, Bruno Forzani  

Awarded at the Strasbourg European Fantastic Film Festival, 2017

 

Snowflake/Schneeflöckchen

Germany

Adolfo Kolmerer

Awarded at the Lund Fantastik Film Festival, 2017

 

Thelma

Norway/France/Denmark/Sweden

Joachim Trier

Awarded at Sitges – Festival Internacional de Cinema de Catalunya, 2017

 

 

The 17 nominees for the short Méliès d'Or were:

 

Thursday Night

Portugal 

Gonçalo Almeida

Awarded at MOTELX – the Lisbon International Horror Film Festival, 2017

 

Getting Fat in a Healty Way

Bulgaria/Germany

Kevork Aslanyan

Awarded at ScienceplusFiction – Trieste Science+Fiction Festival, 2016

 

Die Brücke über den Fluss

Switzerland

Jadwiga Kowalska

Awarded at the Neuchâtel International Fantastic Film Festival, 2017

 

Black Ring/Siyah cember

Turkey

Hasan Can Dagli

Awarded at the Brussels International Fantastic Film Festival, 2017

 

Neck and Neck

United Kingdom

Shaun Clark 

Awarded at the Imagine Film Festival, 2017

 

The Absence of Eddy Table

Norway

Rune Spaans

Awarded at the Strasbourg European Fantastic Film Festival, 2017

 

Dreamlife

Sweden

Anna Mercedes Bergion 

Awarded at the Lund Fantastik Film Festival, 2017

 

Fucking Bunnies/Saatanan kani

Finland

Teemu Niukkanen

Awarded at the Haapsalu Horror and Fantasy Film Festival, 2017

 

Under the Apple Tree

Belgium/Netherlands

Erik van Schaaik

Awarded at the Grossmann Fantastic Film and Wine Festival, 2017

 

The Reflection of Power

France

Mihai Grecu 

Awarded at the Court Metrange Festival, 2016

 

The Problemless Anonimous

United Kingdom

Gary Roberts 

Awarded at the Razor Reel Flanders Film Festival, 2016

 

Decorado

Spain/France 

Alberto Vázquez. 

Awarded at the San Sebastian Horror and Fantasy Film Festival, 2016

 

Of Shadows and Wings

France

Jelice Meng Elenora Marinoni 

Awarded at FanCine Málaga – Festival de Cine Fantástico, 2016

 

Semper Fidelis

Poland

Maciej Gajewsky

Awarded at the Molins de Rei Horror Film Festival, 2016

 

Bricks

United Kingdom

Neville Pierce, 

Awarded at Abertoir Horror Festival, 2016

 

Expire

France

Magali Magistry

Awarded at Sitges – Festival Internacional de Cinema de Catalunya, 2017

 

 

 

The 22nd Méliès d’Or ceremony will take place in 2018 at Sitges – Festival Internacional de Cinema de Catalunya.

 

For more information about the EFFFF and the Méliès competitions, please go to

www.melies.org

For more on the ScienceplusFiction, please go to

www.sciencefictionfestival.org

 

For pictures and other requests regarding the ceremony and the winners, please contact 

Gianluca Guerra: comunicazione@scienceplusfiction.org

 

 

 

 

Trieste Science+Fiction Festival is organised by the Centre for Cinema and Audiovisual Experimentation La Cappella Underground with the collaboration and the support of: MiBACT – Direzione Generale Cinema, Regione Autonoma Friuli Venezia Giulia – Assessorato alla Cultura, Sport e Solidarietà, PromoTurismo FVG, Comune di Trieste – Assessorato alla Cultura, Fondazione CRTrieste, Teatro Stabile del Friuli Venezia Giulia, Fondazione Teatro Lirico "Giuseppe Verdi", Fondazione Benefica Kathleen Foreman Casali, Università degli Studi di Trieste, ARPA FVG - LaREA.

 

The event has the patronage of the main scientific institutes of the territory: AREA Science ParkICGEBICTPINAF – Osservatorio Astronomico di TriesteIS Immaginario Scientifico – Science CentreSISSAUniversità Popolare di Trieste.

Blood Window in Ventana Sur Full Program

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Site Logo

Programa de actividades Blood Window 2017

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27th  

 

02:00 pm • 04:00 pm (Producers Lounge. 1 piso/ 1st Floor)
Blood Window Meeting Tables. Day 1

Participe del programa de reuniones con los productores de los proyectos de Beyond the window.
Be part on the Beyond the window´s scheduled meetings with the producers.

 04:00 pm • 05:00 pm (Aula Magna. 1 piso/ 1st Floor)

Panel 50 años del festival Internacional de Cine Fantástico de Sitges, Cataluña.

Panel 50 years of the Sitges lnternational Fantastic Film Festival, Catatonia.

05:30 pm BW SCREENINGS (BWIP) Cinemark 8

LUCIFERINA
(Horror)
Dir. Gonzalo Calzada
114′, ARGENTINA.
La Puerta Cinematográfica – Buffalo Films – Cinemagroup.

Martes 28 de noviembre
Tuesday, November 28th

 

09:30 am • 12:00 pm (Sala Aula Magna. 1 Piso/ 1st Floor)

Encuentros Beyond the Window – Primer Round. Sesiones de pitching de proyectos en desarrollo. Beyond the Window pitching sessions- First Round.

10:00 am Cinemark 6, BW SCREENINGS

ATERRADOS/TERRIFIED 
(Horror)
Dir. Demian Rugna
85′, ARGENTINA.
12:00 pm Cinemark 5, BW SCREENINGS

AS BOAS MANEIRAS/GOOD MANNERS
(Drama)
Dir. Juliana Rojas & Marco Dutra
135′, BRASIL/FRANCIA.

01:00 pm • 03:00 pm (Producers Lounge. 1 Piso/ 1st Floor)

Blood Window Meeting Tables. Day 2

Participe del programa de reuniones con los productores de los proyectos de Beyond the window.
Be part on the Beyond the window´s scheduled meetings with the producers.
03:00 pm Cinemark 7, BW SCREENINGS
PENDEJA, PAYASA Y GORDA/STUPID, CLOWN AND FAT
(Comedy)
Matías Szulanski
85′. ARGENTINA.

03:30 pm Cinemark 2, BW SCREENINGS

ERREMENTARI
(Fantasy – Horror)
Paul Urkijo Alijo
93′. ESPAÑA.

03:30 pm Cinemark 4, BW SCREENINGS
MIS DEMONIOS NUNCA JURARON SOLEDAD/ MY DEMONS NEVER SWORE SOLITUDE
(Western – Horror)
Dir. Jorge Leyva
90′. MÉXICO.

03:30 pm BW SCREENINGS (BWIP) Cinemark 8
LOS INQUILINOS/THE  TENANTS
(Horror – Suspense)
Dir. Chava Cartas
88′. MÉXICO.

05:00 pm BW SCREENINGS (BWIP) Cinemark 8
OJOS GRISES/GREY IN THE EYES
(Adventure, Fantasy)
Dir. Santiago Ventura
120′. URUGUAY.

07:00 pm Cinemark 8, BW SCREENINGS

MOTORRAD
(Thriller)
Vicente Amorim
92′. BRASIL.

Miércoles 29 de noviembre
Wednesday , November 29th

09:30 am – 01:00 pm Aula Magna. 1 piso/ 1st Floor

Encuentros Beyond the Window – Segundo Round. Sesiones de pitching de proyectos en desarrollo. Beyond the Window pitching sessions – Second Round.


10:00 am Cinemark 5, BW SCREENINGS
MENTE REVOLVER/REVOLVER MIND
(Crime)
Alejandro Ramírez Corona
80′. MÉXICO.

04:00 pm BW SCREENINGS (BWIP) Cinemark 8
TANIA Y DANIELA
(Thriller • Fantasy)
Salomón Askenazi
90′ MÉXICO.

04:00 pm – 07:00 pm (Sala Producers Lounge  1 piso/ 1st Floor)

Blood Window Meeting Tables. Day 3
Participe del programa de reuniones con los productores de los proyectos de Beyond the window.
Be part on the Beyond the window ‘s scheduled meetings with the producers.

04:30 pm Cinemark 3, BW SCREENINGS
OJOS DE MADERA/WOODEN EYES
(Horror)
Roberto Suárez
63′ URUGUAY/ARGENTINA/VENEZUELA.

05:30 pm Cinemark 8, BW SCREENINGS
MUSE
(Thriller)
Dir. Jaime Balagueró
105′. ESPAÑA.

07:30 pm Cinemark 8, BW SCREENINGS
NIGHTWORLD
(Horror)
Dir. Patricio Valladares
92′ BULGARIA.

Jueves 30 de noviembre
Thursday , November 30th

11:00 am • 01:00 pm (Vs Lounge 1 piso/ 1st Floor)

iDesayuno con los festivales de cine fantástico!
Breakfast with fantastic film festivals!

06:30 pm (Auditorium UCA, San José Pb)
Ceremonia de Clausura
Closing Ceremony

06:30 pm Cinemark 6, BW SCREENINGS
O ANIMAL CORDIAL/FRIENDLY BEAST
(Thriller)
Dir. Roberto Suárez
96′ BRASIL

07:30 pm Cinemark 3, BW SCREENINGS

MADRAZA (Action – Adventure)
Dir. Hernán Aguilar
93′ ARGENTINA.

 

Download the full program Blood Window @ Ventana Sur 2017

 

 

Interview with Writer/Director Nick Pollack for 'And Though the Music Ended, We Danced on Through the Night' (2017)

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Nick Pollack and Aaron Bush from 'And Though the Music Ended, We Danced On Through the Night' (2017) Nick Pollack (left) and Aaron Bush (right).

Australian film team writer/director Nick Pollack and producer Aaron Bush attended the 2017 Napa Valley Film Festival with their 30 minute short film 'And Though the Music Ended, We Danced on Through the Night'. The film follows three frenetic characters hanging on at the end of their rope after what might be a tragic accident. Reminiscent of Aronofsky's 'Requiem for a Dream' (2000), the lives of these three desperate characters are intertwined as they stand at the tipping point into either salvation or madness.

The film was co written by Nick Pollack and Ryan Hayward and produced by Aaron Bush, Nick Pollack and Marisa Zamora.

 

I interviewed Nick Pollack during the festival about their film. Here is what he had to say:

 

Were the events in the film based on a true story or a fictional experiment?

NICK: It was a little of both - a real event inspired the nucleus of the story, but we built a wider fictional world around that. It spawned a very depressing ‘cinematic universe’ if you will. The origin of the script was a short story that my good friend Ryan Hayward wrote six years ago of a woman whose son had died in a car accident, yet she kept paying his phone bill, just so she could hear his voice, and leave short messages on the answering service. I read it and it was such a strong, heartbreaking visual which got me thinking about how the son had died, what life she must have now, how else she maintained his memory and everything that surrounded that fictional scenario. So Ryan and I wrote an initial draft based on the mum’s story. And while people who read it liked how it read on the page, we weren’t getting much traction in terms of them wanting to see it as a film. We were hearing that it seemed like an extended public service announcement for not using a mobile phone while driving. So we looked at how we could tell a wider story, about how different people who were dealing with different types of loss processed it. We came up with the narratives of a woman dealing with the loss of a relationship and an academic man dealing with the loss of his life and memories with early stage Alzheimer’s. It was after a few draft that we realized we could link the three character’s stories and have them all intersect at the pivotal climatic moment.

 

The title of the film is very symbolic. What, in your words, does it mean for you?

NICK: As a film maker, I’m attracted to titles that say something. It’s the first impression you get to make with a potential viewer and you want to intrigue them, yet also stand out from the multitude of viewing options they have at a film festival, online or through a streaming service. This title though - AND THOUGH THE MUSIC ENDED WE DANCED ON THROUGH THE NIGHT - refers specifically to the major theme running through the film, being ‘loss’ and what we do to process it. How do we find the strength to keep going once that thing we held close - the ‘music’ as it were - has ended? How do the characters find the strength to keep ‘dancing’ after they have lost a child, a lover or their memory to Alzheimer’s, and the darkness that that loss brings, being ‘the night’ of the title?

Additionally, music plays a crucial role in my filmmaking also, which is why the scripts that I write tend to have lyrical titles; title that sound like they could be a line from a song. It’s not always the case, but this project and our next one ‘ANY GIRL WHO LOVES THE BEATLES IS BOUND TO BREAK YOUR HEART have long, somewhat abstract titles. Plus, it’s a marketing tool - a longer title beginning with the letter ‘A’ is going to stand out a lot more on the festival guide or a sales document than a film with a short title nestled back among the ‘P’ films. And maybe deep down I have a vendetta against the folks who put the letters up on the marquees outside cinemas and I just want to make their life hell putting up our film title. :)

 

Does the Aboriginal man ever finish his book? Or is that meant to be kept a mystery?

NICK: Ha, it’s an interesting question, and I guess it feeds into what the title is about - does he keep dancing once he has lost everything? We actually shot a small sequence which didn’t make the final film where his bracelet fell off as he retreats back into the bush after the accident, implying that he may be lost in bush, with no way to return to society, and no way for anyone who found him to know who he was. But it was cut to maintain a level of… not tying up all the loose ends, I guess. So I think you can believe whatever you wish - if you’re an optimist, he managed to get back to the nursing home and finish his book. If you’re a pessimist, maybe he was lost in the bush to perish. Or perhaps a realist will imagine something in-between both those options.

 

I love the feeling of anxiety and disconnection in the film. Do you think in the digital age we are more connected or separated?

NICK: It’s a subject I’m fascinated with also. Are we better off with what social media and technology provides us or are we on a societal decline? You can’t deny we are more connected, but those connections are lot more ephemeral. We know more about each others lives than we should and we are given a level of voyeurism into those lives that is questionably unhealthy. What’s the saying - ‘you’re never more alone than when you’re in a crowd’ - I think it’s made it much easier to connect with people, but also much harder to stand out in that crowd and in the noise of everyone else trying to connect. That’s what I wanted to cover especially in Abigail / the nurse’s story, and how the pull of ‘needing to know’ (and the power that social media can give us) can turn a person who is otherwise a together, compassionate soul - what’s more caring and empathetic than nurse, right? - into someone who is essentially a stalker. But each character also uses technology to help them maintain the connection they had to what they have lost - Joanne keeps the recording of her son’s voice to keep his memory alive, Percy uses his computer and online research to build his database so he can record all his memories before they are lost to his disease and Abigail uses social media to maintain the connection to the boyfriend she lost.

 

The acting is superb. How did you go about casting it?

NICK: Thank you so much - yes, the acting really is what holds the film together. Given the jumping time-lines (Abigail’s story is in the past, Percy’s in the present and Joanne’s in the future), the emotional core of this film could have failed spectacularly if we weren’t so blessed with our talent. The casting process on this one though was really identifying who we wanted and approaching them. We didn’t have a casting director or casting sessions - I just wrote some very impassioned letters. Debra Lawrance was on board for almost two years before we started shooting, and was the only person we ever approached to play Joanne. Ryan, my co-writer, had performed with Debra in a play several years ago so he had a connection with her, but there was never anyone else we could have thought to play the role. Thankfully, she responded to script immediately and we were off to the races, which was a godsend. Debra is a hugely respected actor locally and hence she is also very selective in what she does these days, so it was a major blessing to have her on board from the beginning.

Casting ‘Percy’ was a little more tricky. Australia has many incredible actors of Aboriginal background, but they are all in such high demand at the moment that everyone we approached couldn’t fit it in their schedule for a long time after we were hoping to film. Then, rather serendipitously at the beginning of last year, Quentin Tarantino came to Sydney and held a special event where he screened his favorite Australian film – Fred Schepisi’s THE CHANT OF JIMMIE BLACKSMITH (1978). Mid screening, I turned to Bushy and whispered ‘How amazing would it be if we could get ‘Jimmie Blacksmith’ in our film?’ So taking a chance at a long shot, I reached out to him with a heartfelt letter, begging him to consider our small film. The following day I get a phone call and a voice on the other end saying “Nick? It’s Tommy Lewis. I read your script. I love it. Let’s do it”. That was a very great day, let me tell you - to realize we had lined up two legends of the Australian screen in our film. We topped that off with the trifecta of the amazing Emily Gruhl who came recommended to me by another actor Tom Carney who said ‘she’s the next big thing’, and we were equally blessed to have to her respond so well to the character of Abigail that she agreed almost instantly to do it. So all in all, the casting process was incredibly fortuitous. The real pleasure for me was setting the scene, calling ‘Action’ and just letting them do what they know to do, I had to do very little directing on set. It was a dream cast for these roles.

 

Do you plan to make this a feature in the future?

NICK: We get asked that a bit actually, and I guess it makes sense, to build upon a world that is already established. But I really only see this as a stand alone piece. There are definitely ways we could make the short film bigger, perhaps tell more characters stories and how they feed into this moment that we covered. But we all kind of agreed that this feels like the story - half an hour is all that this film needs to reveal it’s nuances.

 

You both work as a solid team. How did you both meet and start working together?

NICK: Sometimes I think we were thrown together as punishment for terrible things we did in a past life. We met at a production house we were based at in 2004 - I was editing and had just started directing commercials and Bushy was running the camera department. We’ve worked on a multitude of projects together since, so 13, 14 years together. I think we work well because our skills complement each other - I call him a ‘bulldog producer’ because he just gets things done, with very little messing about. He’s very vocal and he just makes things, in a very practical sense, happen. You can always rely on him to deliver on what’s required - Bushy’s very much a man of his word. I would say he sees the bigger picture, whereas, I see the finer details within a project and the script and how they all feed into each other. I know ‘’why’ things have to happen in a certain way, and he takes care of ‘the how and the where’ so that they do actually happen in that way. However, I must point out that the person who actually held everything together is our other incredible producer Marisa Zamora, the most hard working, dedicated producer I’ve ever worked with. Unquestionably, this film would not have been made without her pulling everything together behind the scenes. We are blessed to have her on our team. I think the team works so well is because neither of us is trying to compete to do the others role, and no one steps on anyone elses toes. I’ve seen producers that are ‘frustrated directors’ who get on projects looking to put their stamp on it, but Marisa and Bushy respect the director’s and the writer’s job. They’ll make suggestions that more often than not make the project far greater, but they are more concerned with helping to deliver a unified creative vision, than to make the vision their own.

 

You recently attended Napa Valley Film Fest. How was that experience?

NICK: In a word – Wow! We both remarked throughout the festival that we didn’t see one bad film - the curating of the films was impeccable and we felt humble having been a part of the very select group of film from around the world. The parties were off the hook, the screening venues had such a wonderful rustic charm that we rarely get to experience living in the city, and the people who attended were so nice to us at every turn. Plus everything seemed to run smoothly, something to be particularly congratulated given the fires and rebuilding stage the area was going through at the time. We met some lovely people - film makers and Napa / San Fran locals - who we have stayed in contact with after the event, who have extended genuine invitations to visit and stay with them if we ever pass through their cities. It was the perfect place to premiere our film. A really special experience.

 

How did audiences react to your film?

NICK: The response we’ve had has been overwhelmingly positive when we screened it to audiences. It’s always intriguing to see what one audience takes from a moment that another doesn’t. For instance, the scenes with Abigail hacking into the websites garnered a few hearty laughs at the last screening whilst at other screenings, they gasp at her audacity. But the most rewarding feedback has been how moved the audience has been at reveal of the final climax. To see and hear a room being moved to tears is a really special feeling - to know you have been a part of something that is that engaging on a emotional level makes the effort worth it. People have been really kind to us after the screenings also, sharing deeply personal stories of their own that they felt connected to our film through.

 

What are you working on next?

NICK: We have been trying to get our musical romance feature ANY GIRL WHO LOVES THE BEATLES IS BOUND TO BREAK YOUR HEART into production for several years now. It’s a tricky one as it’s set against the Sydney Festival, which runs for 3 weeks in January each year. We keep aiming to film within that time frame, but lining up everyone’s schedules (and the ever elusive finance) is a game of chess. I have just finished writing that story into a novel as well to try and build an audience before the film is made, but I’m learning that that is a task in itself to get out there into people’s hands (shameless plug - it’s out on Amazon and the Kindle store, so please have a read and let us know what you think). I’m working on several other scripts of my own, plus I’m helping a local writer Cam Pascoe with a screenplay that I’d like to direct, a thriller set against the visually stunning northern Australian cane fields. It’s an exciting premise with a twist for the antagonist, so hopefully we can make that in 2018 if things line up. In the meantime, it’s back to the world of commercial directing in Sydney and finishing book three of a childrens middle grade book series called ‘ZODEE ACK, MY IMAGINARY ENEMY’.

Tom E. Lewis from 'And Though the Music Ended, We Danced On Through the Night' (2017)

Tom E. Lewis from 'And Though the Music Ended, We Danced On Through the Night' (2017) still shot. 

 

Interview by Vanessa McMahon

Cloud 21 and Kultura PR Present “Indie Film Showcase At Park City”

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Cloud21 (www.cloud21.com) and Kultura PR (www.kulturapr.com) are pleased to present the” Indie Film Showcase At Park City” that will be held during Sundance Film Festival on January 21st at 2 PM at Bodega on Main. 

The by-invitation only event will feature a six person panel that includes entertainment industry veteran,  E! co-founder Larry Namer. Namer is the president/CEO of Metan Global Entertainment Group (www.metanglobalentertainment.com), a multi-media company focused on delivering Western entertainment content to China, and conversely, producing and exporting high-quality content in China to be sold and distributed internationally. The company recently launched the MGEG Film Fund I, of which it serves as managing partner. MGEG FILM FUND I provides loans against tax credits and incentives and other forms of secured financing to film and content companies around the world for projects in the $500K to $20 million budget range.  

Australian filmmaker and president of Bad Hat Films (www.badhatfilms.com.au) David Raynor will present his latest work ‘We Need To Talk’, a 42 minute short film about youth suicide prevention, a sensitive topic that he has handled with thoughtfulness and integrity. The film is being developed into a feature film in 2018, with an accompanying book and music video. His other notable, award-winning works include “Hello Tom Sullivan,” “Karlisha and Morgan” and “So This Is It Then.” In 2018, he also plans to produce “Ubiquitous” a feature with a French film noir overtone. Prior to becoming a filmmaker, Raynor was one of the top names in the global beauty industry. 

Three time Telly Award-winning filmmaker, Sue Vicory (www.suevicory.com)  has been creating community-based films and projects within her not for profit production company, Heartland Films, Inc. since 2003. Her works include  "Homelessness & the Power of One,” feature documentaries “One” and "Kansas City Jazz & Blues; Past, Present & Future" and short films “Absent” and "1898, The W.F. Norman Story. In 2015, she founded Team XX, an all female team of 25 filmmakers that created the award-winning film “Down Stage.” Vicory is a member of the LA based Alliance of Women Directors and creator of the website www.womendocumentaryfilmmakers.com to increase visibility for female filmmakers.

Filmmaker Jeff Witzeman is the writer/producer/director of the controversial documentary “Cancer Can Be Killed” (www.cancercanbekilled.com) that currently is on the festival circuit and available worldwide on Amazon Prime. Witzemen was inspired to make the film after his wife Kerry was cured and cancer free after receiving non-traditional treatments in Europe, instead of opting for the often aggressive treatment methods promoted by the U.S. medical community. Previously he worked as an actor, writer and musician. In the 90’s, he starred in such shows as “Frazier,” “Webster” and a Miller Genuine Draft Super Bowl commercial. In 2000, Jeff Witzeman & The Jealous Housewives became the most radio played unsigned band in America. 

Monica Morrison of the event’s official media partner  I Entertainment News (www.ientertainmentnews.com) will moderate the hour long panel, which will also be podcast.   Morrison is the CEO of B Team Media Group and founder of Indie Entertainment Magazine. She produces several podcast shows, including Indie Entertainment Podcast. An advocate for children and filmmakers, she recently launched FundIndies.org, a “pay it forward” niche crowd funding site for independent filmmakers and musicians. A portion of the proceeds go to the “Gracie-Maeve Institute for the Creative Arts,” a creative institute that promotes health and well-being for young adults who have been abandoned or neglected as children or who have grown up in the foster care system.

Following the panel will be a VIP reception where media and industry will have the chance to meet and mingle with the panelists.

Additional panelists and sponsors to be announced shortly.

###

For more information, please contact nicolekultura@gmail.com

Cloud 21 PR and Kultura PR have produced events at Cannes and Sundance Film Festivals, including most recently “A Salute to Akira Kurosawa” with China’s Jinke Entertainment at the 2017 Cannes Film Festival. The companies have co-produced events and worked with top entertainment and technology brands, including E!, Eurocinema, Maverick Entertainment, Sony Interactive, Oculus, Cinando, Euromed, ECU Film Festival, Creative Coalition, plus many others.

 

 

 

ARY Film Festival (The Biggest Film Festival of Pakistan) - Submissions Open

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Website I Twitter I Facebook I Profile on filmfestivals.com I SUBMIT I Contact

ARY Film Festival

ARY Digital Network is the leading media network of Pakistan viewed in over 100 countries around the world and as an effort to support the upcoming filmmakers we have started the ARY Film Festival as an yearly event. The ARY Film Festival (AFF) is the biggest film festival in Pakistan. In 2017, the festival provided a platform to local and international filmmakers to showcase their talent here in Pakistan at an industry level.

The 3 day festival commenced in May 2017 and screened 33 films, which were shortlisted by the jury from around 400 entries received from all over the world. The jury itself is comprised of some very well known names from the local and international film making business. Apart from the above mentioned regular entries, the festival also came up with special screenings of internationally acclaimed films such as Maheen Zia’s ‘Lyari Notes’, ‘Brave Heart: The Lizzie Velazquez Story’ contributed by the American Film Showcase and Anjum Shehzad’s ‘Mah e Mir’.  Additionally, Academy award winner Sharmeen Obaid Chinoy’s ‘Song of Lahore’ was also premiered at the festival. Delhi International Film Festival was also one of the collaborating partners of the festival. 

After such a commendable execution of AFF in 2017, the festival is back again for its second edition in April 2018, for which submissions are now open for the following categories:

1. Short Film (5 Mins – 60 Mins)
2. Feature Film (60 Mins and above)
3. Documentary – Short Film (5 Mins – 40 Mins)
4. Documentary – Feature Film (40 Mins and above)

Are you a filmmaker or have you always wanted to become one?
If yes, then what are you waiting for?

Grab a hold of this opportunity and apply now!
Apply here: bit.ly/1Mt5tZR (Submission form) 
 

Following is the link to our promo of our upcoming festival. 

About the festival

 


13 Horror Calling Submit now

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Submissions open for 13Horror.com's Film & Screenplay Contest 2018!

13Horror.com is back with THE go-to contest for horror screenwriters and film-makers!

The categories for the contest are: 
1) Feature-length screenplays 
2) Short screenplays 
3) Feature-length movies 
4) Short movies

Winning entrants will receive some truly awesome prizes, including:

- Cash 
- Publishing deals 
- Movie distribution offer 
- Award certificates 
- Laurels 
- Film-making classes 
- Contacts with horror movie industry insiders 
- Horror merchandise 
- And much more

Each screenplay and movie entrant receives a comprehensive feedback form from one of our Hollywood judges, explaining how their screenplay or film did against the judging criteria. This is included as part of your entry fee and is extremely popular with submitters.

Screenplays and movies selected as finalists and winners will be announced on 1 May 2018.

Our Hollywood judges include Andrew Hannon, editor of the international best-selling 'Thirteen' horror anthologies.

 
 
Horror screenplay contest
 
 
 

Submissions are being accepted from now until Friday 13 April 2018 for feature-length horror screenplays.

 

Thirteen winning screenplays will be chosen based on the following criteria:

 

(i) originality

(ii) story

(iii) characterization

(iv) presentation

(v) overall impression

 

Every entry will receive comprehensive feedback from one of our Hollywood judges.

 

First Place wins $1,000.00, publication of their screenplay with Dizzy Emu Publishing as a paperback and e-book, including royalties for life, the coveted 13Horror.com Golden Skull award, horror movie merchandise, a framed winner’s certificate and a place in the 13Horror.com Hall of Fame.

 

2 x Second Place win $500.00, publication of their screenplay with Dizzy Emu Publishing as a paperback and e-book, including royalties for life, the coveted 13Horror.com Silver Skull award, horror movie merchandise, a framed winner’s certificate and a place in the 13Horror.com Hall of Fame
 
10 x Third Place win professional publication of their screenplay as a paperback and e-book withDizzyEmuPublishing.com, including royalties for life, a winner's certificate and a place in the 13Horror.com Hall of Fame.

 

In addition to the above prizes, all screenplays which are awarded the status of Finalist will be eligible for a discounted publishing package.

Open for submissions

Final deadline: Friday 13 April 2018

Submit your feature-length screenplay

You can submit your screenplay directly via the 13Horror.com website or via FilmFreeway.

Good luck! We look forward to reading your screenplay!

 

Once you have paid your entry fee, please email your screenplay and receipt reference number toeditor@13horror.com

Entries must be received on or before the deadlines and the submission fee payment must be made in full at time of the submission. All entry fees are non-refundable

All submitted material must be original and all rights must be wholly owned by the writer(s) and film-makers.

Material must be submitted by the writer (for screenplays) or an authorized representative of the film-maker (for films). Material written by writing teams must be submitted by one of the writers, with consent of the other(s).  All writers must be credited on the title page.

If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.

It is recommended that original material be registered with the Writers Guild of America before submitting to any competition, but this is not a requirement for entry.

All ownership and rights to the screenplays and films submitted to this contest remains with the original rights holders. 

There are no age restrictions.

This is an international screenplay competition.  All persons from anywhere in the world are eligible but the material submitted must be in English. Foregin language films are welcome but must have English subtitles.

We accept material submitted to other competitions or contests.

The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition.

Any submitted work that becomes optioned, produced or purchased between the time of submission and the end of the judging period will no longer be eligible.

Screenplays should be submitted in the standard screenplay format, font, spacing and margin. This is part of the judging criteria. Please ask us if you're unsure about this and we'll point you in the right direction regarding format, but please check out ourScreenwriting School in the first instance.

Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.

Screenplays of 140 pages or longer are eligible but a flat fee of $70.00 will be applied to them, regardless of submission date. Entries in excess of 140 pages can only be submitted via the 13Horror.com website on this page.

All screenplays must be submitted via FilmFreeway or electronically as a PDF or a Word document or it will not be eligible.

 
 
 

THANK YOU!

 
 
Horror screenplay contest
 
Submissions are being accepted from now until Friday 13 April 2018 for short horror screenplays (30 pages maximum).

Thirteen winning screenplays will be chosen based on the following criteria:

(i) originality

(ii) story

(iii) characterization

(iv) presentation

(v) overall impression

 

Every entry will receive comprehensive feedback from one of our Hollywood judges.

First Place wins $500.00, publication of their screenplay with Dizzy Emu Publishing, including royalties for life, horror movie merchandise, a framed winner’s certificate and a place in the 13Horror.com Hall of Fame.

Second Place wins $300.00, publication of their screenplay with Dizzy Emu Publishing, including royalties for life, horror movie merchandise, a framed winner’s certificate and a place in the 13Horror.com Hall of Fame.


 Third Place wins $200.00, publication of their screenplay with Dizzy Emu Publishing, including royalties for life, horror movie merchandise, a framed winner’s certificate and a place in the 13Horror.com Hall of Fame.

In addition to the above prizes, all screenplays which are awarded the status of Finalist will be eligible for a discounted publishing package.

Submit your short screenplay

You can submit your screenplay directly via the 13Horror.com website or via FilmFreeway.

Good luck! We look forward to reading your screenplay!

 

Once you have paid your entry fee, please email your screenplay and receipt reference number toeditor@13horror.com

 
horror film contest
 
 
Laurels will be awarded for: 
 
 


 

 

PLUS FILM DISTRIBUTION FOR SELECTED ENTRIES!

Selected films will also be offered distribution via 13Horror.com's online film channel, The Theater of Terror. We are excited to be able to offer successful film-makers an incredible distribution deal where we'll engage in promotion of your movie and film-makers will be paid extremely competitive royalties on film sales and rentals.

Submit your feature film

Good luck! We look forward to watching your film!

 

 
 
horror film contest
 
 
Laurels will be awarded for: 
 

 

 

PLUS FILM DISTRIBUTION FOR SELECTED ENTRIES!

 

Selected films will also be offered distribution via 13Horror.com's online film channel, The Theater of Terror. We are excited to be able to offer successful film-makers an incredible distribution deal where we'll engage in promotion of your movie and film-makers will be paid extremely competitive royalties on film sales and rentals.

Submit your short film

Good luck! We look forward to watching your film!

 
 
 
 
Feature film contest
 
Horror screenplay contest
 
Short screenplay contest
 
Short film contest
 

Submissions open for 13Horror.com's Film & Screenplay Contest 2018!

 

Watch these festivals calling November 30

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Read this online                  FOLLOW US ON THE SOCIAL NETWORKS:     Facebook  Twitter  YouTube           

Dear filmmakers friends do not miss these Festivals in Focus.  

FILMFESTIVALS.COM PARTNER FESTIVALS CALLING

ANIMATION FESTS CALLING

DOC FESTS CALLING

HORROR FESTS CALLING

ECO FESTS CALLING

SCIFI WORLD

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> PARTNERS FESTIVAL NEWS  

ARY FILM FESTIVAL The largest festival in Pakistan May 2018

After a successful and commendable execution of ARY Film Festival in 2017, the festival is back again for its second edition in 2018 for which submissions are now open till December  31st 2017.

The 3 day festival commenced in May 2017 and screened 33 films, which were shortlisted by the jury from around 400 entries received from all over the world. Apart from the regular entries, the festival also came up with special screenings of internationally acclaimed films such as Maheen Zia’s ‘Lyari Notes’, ‘Brave Heart: The Lizzie Velazquez Story’ contributed by the American Film Showcase and Anjum Shehzad’s ‘Mah e Mir’.  Additionally, Academy award winner Sharmeen Obaid Chinoy’s ‘Song of Lahore’ was also premiered at the festival. Delhi International Film Festival was also one of the collaborating partners of the festival.

Website I Twitter I Facebook I Profile on filmfestivals.com I SUBMIT I Contact

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Seattle International Film Festival  May 17 - June 10, 2018

Call for entries 2018

January 5, 2018 - Late submission

SIFF creates experiences that bring people together to discover
extraordinary films from around the world. It is through the art of cinema that we foster a community that is more informed, aware, and alive.

The Seattle International Film Festival is presented each year from mid-May to mid-June. It is the largest film festival in the United States, presenting more than 400 features, documentaries and short films to an audience of 155,000 each year. SIFF is consistently ranked as one of the top festivals in North America, and is an Academy Award-qualifying festival for short films.

SIFF started out as an event aimed squarely at Seattle filmgoers, renowned for their strong support for independent cinema and their sophisticated, maverick tastes. Through the years, Seattle audiences have proven themselves to be remarkably astute judges of a film's theatrical strength in the American marketplace. This, in turn, has made SIFF a great testing ground for new films. Our emphasis on keeping the Festival an event aimed first and foremost at filmgoers, provides the films themselves with the kind of genuine audience response that has attracted the participation of so many filmmakers and film distributors.


 

filmfestivals.com profile I Website I Facebook I Twitter I Youtube I Awards I SUBMIT

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Silver Scream Film and Comic Festival Feb 16 - 18, 2018 - Horror Calling

Late deadline: December 12, 2017

SILVER SCREAM FILM AND COMIC FESTIVAL, presented by Famous Monsters, is looking for the next generation of great genre storytellers so their creations can be shared with the world!

The purpose of the annual SILVER SCREAM FILM AND COMIC FESTIVAL is to cherry-pick burgeoning creative talent and provide an industry spotlight for the best in genre storytelling — horror, sci-fi, fantasy, and combinations of the three. The only criteria for SILVER SCREAM FILM AND COMIC FESTIVAL content other than genre is to captivate the audience and inspire the imagination.

Designed to discover new talent, unite the entertainment community, and encourage genre conversation, the annual SILVER SCREAM FILM AND COMIC FESTIVAL is a three-day event comprised of film screenings, award ceremonies, prizes, social gatherings, and celebratory parties. The FESTIVAL will be hosted by the Santa Rosa Entertainment Group, located in the heart of downtown Santa Rosa, CA.

Visit www.silverscreamfest.com for event details and schedules.

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13 Horror May 1

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Final Deadline is April 13, 2018

Film & Screenplay Contest 2018 Deadline 13 April 2018 Submissions open for 13Horror.com's Film & Screenplay Contest 2018!   13Horror.com is back with THE go-to contest for horror screenwriters and film-makers! 13Horror.com is back with THE go-to contest for horror screenwriters and film-makers!

The categories for the contest are: 
1) Feature-length screenplays 
2) Short screenplays 
3) Feature-length movies 
4) Short movies

 

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NYC Independent Film Festival 2018

May 7 - May 13, 2018

November 30, 2017 Regular Deadline  

NYC Independent Film Festival is a celebration of the true independent filmmaker, documentaries, short and feature-length films, music videos, and animation. Whether a submission is comedic, dramatic, or something in between, The NYC Indie film Fest is eager to embrace fresh ideas and storytelling.

The festival aims to discover the Artist Filmmaker, showcasing them to the entertainment industry and the NYC public. All NYC Indie screenings take place in the historic center of NYC, Time Square which is the perfect home for an event geared toward creating incredible opportunities for independent voices.

NYC Indie Film Festival honors the Best in Category which includes Best Narrative Feature, Best Documentary, Best Short Documentary, Best Short Narrative, Best Super Short, Best Music Video, as well as Best Director and Best Screenplay.

Profile on filmfestivals.com I Website I Facebook I Twitter I  SUBMIT I Contact Dennis Cieri

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Sonoma International FilmFestival 

March 21 – 25, 2018

December 15, 2017 Regular Deadline 

Submissions for 2018 Sonoma International FilmFestival (March 21-25, 2018) open on August 1, 2017.

Acceptances will be sent out by email in early February, 2018.  Please do not contact office before that date.

Thank you to all of our filmmakers for submitting your creative work to us. We had an unprecedented number of great films in 2017 and look forward to seeing all the submissions for the upcoming 21st SIFF.

Sonoma International Film Festival endeavors to celebrate the best in independent and international features, documentaries, and short films.  In Sonoma, it is all about the filmmakers.

Sonoma International Film Festival's blog I Website www.sonomafilmfest.org I Facebook I Twitter I SUBMIT I Past Winners I Contact Kevin W. McNeely I 707-933-2600 I 103 E. Napa St. Suite A Sonoma, California 95476 United States

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Winter Film Awards in NY

February 22 - March 3

Late Deadline-Nov 15.

 

Celebrate Diversity in Film with New York City's WINTER FILM AWARDS, a TOP 10 BEST REVIEWED FEST on FilmFreeway!

Over $100,000 in Cash, Prizes & Distribution Opportunities!

We seek creative fresh voices from emerging filmmakers worldwide in all genres and lengths – feature length and shorts, narrative fiction, documentary, animation, horror, web series and music videos.

WINTER FILM AWARDS IS NEW YORK CITY. Like the city itself, we showcase the eclectic diversity and excitement of the independent arts world. Join us for our 7th Annual Indie Film Festival to be held Feb 22 – Mar 3 2018 for live screenings, cool discussion panels and awesome fun parties. Visit www.WinterFilmAwards.com for details. SUBMIT

Submit your work via https://filmfreeway.com/festival/WFA and use discount code WFA18FILMFESTCOM25 to take 25% off your submission fee!

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Fantasporto 2017 February 24 - March 4, 2017

PARTNER FESTIVAL WITH FILMFESTIVALS.COM

last call for entries

Fantasporto’2018 | Oporto International Film Festival announces our Call for Film Entries for the 38th annual festival, running February 20th till March 4th.

This Call is for Fantasy, Horror, Sci-Fi features and shorts in the Fantasy competition. The Director’s Week is for features only, in all genres except fantasy.

Deadlines for Entries for 2018 edition are October 30th (Early Call) and December 5th (Final Call).

Films can be submitted now using the film submission website www.fantasporto.com

Fantasporto enjoys incredible loyalty and support from the large film-appreciating community all over the World. In the last edition, Fantasporto was attended by over 20,000 enthusiastic genre film fans and over 200 members of the film press and industry.

Considered in 2015 as the first of the independent film festivals in the world by TRIPPER, Fantasporto is among the top film festivals  for the discovery of new talent, having revealed countless of now famous directors, producers and actors.

Check the  Regulations on the site www.fantasporto.com.

Fantasporto'sblog I Website  I Submit I  Facebook I Twitter I Contact Mario Dorminsky I Entry Form

 

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2018 WORLDFEST-HOUSTON April 20 - 29, 2018 calling for entries

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PARTNER FESTIVAL WITH FILMFESTIVALS.COM

Entries Open August 15th. The EarlyBird Deadline is November 15th and the Main Entry Deadline is December 15th. These are "Postmark By Deadlines". If you enter Online by the January 15th Late/Final Deadline and we receive the physical entry by January 31st, your entry will still be reviewed by our judges. Due to popular demand, we have extended the Final Brick Wall Deadline to January 31st, online!

The 2018 Annual WorldFest-Houston International Film & Video Festival is now open for entries! Info on All Winners info is submitted to Seoul, Korea ~ Concorto, Italy & the USAFilmFestival, Dallas at no extra cost!

WorldFest Houston's blog Website: http://www.worldfest.org I Submit I Facebook I Twitter I Contact Hunter Todd

Digital Gym

 New Media Film Festival

June 12 -14, 2018

"I thank the New Media film festival for what they've done for young filmmakers."– Legendary Director Roger Corman

"Top 25 Festivals Worth The Entry Fee" - Movie Maker Magazine

"Makes the cutting edge accessible" - Huffington Post 

New Media Film Festival intersects the interactivity of new technologies & formats for Media & Cinema which exemplify the power of the cinematic arts to inspire and transform. A festival where we Honor Stories Worth Telling that are created by people of All Ages-All Cultures-All Media.
Each entry is considered for Screening in a state of the art theatre, The Landmark, owned by Mark Cuban and/or Competition and/or Distribution $45,000.00 in Awards will be given out. Each programmed content is in consideration for a Best of Category, Audience & Grand Prize Award.

Email I + 1 310-288-1100 I Website I Facebook I Twitter I 2017 Award Winners I Photos I Videos  I  SUBMIT


 

Digital Gym

16th GARDEN STATE FILM FESTIVAL 

March 22 -25 , 2018
 

2018 Call for Entries December 1, 2017! 

 
The Garden State Film Festival is scheduled for March 22-25, 2018 in Asbury Park, NJ. Film, Screenplay and Movie Music competitions open July 1, 2017.   Make sure all of the INFORMATION you are submitting into the submission system  is CORRECT because  THAT information GOES RIGHT INTO OUR SYSTEM. 

 

 

 

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The 2018 Television & Film Awards gala will take place at the annual NAB Show in Las Vegas next April 2018

 

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Final Deadline Extended 

The New York Festivals International TV & Film Awards honors the World’s Best TV and Films at its annual gala at NAB Show in Las Vegas next April. Founded in 1957, NYF TV & Film Awards offers a powerhouse of categories including: 30 categories for documentaries and dozens of categories for news, drama and performers. New York Festivals welcomes network, studio, independent, and student productions of all lengths across all platforms. Late entries accepted until January 5th, 2018. For more information visit: http://www.newyorkfestivals.com/tvfilm/

New Categories for 2018:  Magazine Feature, International Affairs Documentary, Use of Technology in Promos, Digital Documentary, Digital Reality TV Drama, and Tourism

Website I Submit I Facebook I Twitter I Contact Rose Anderson

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Animation Day in Cannes 2018

Animaze Daze in Cannes Screenings May 18, 2018

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Submit your best short animated films for a screening May18th at Cannes Film Festival.

Enjoy industry visibility in front of the animation professionals attending Cannes during Animation Day in Cannes (second edition). take advantage of free promotion to buyers and media on our Animation Day in Cannes Newsletters, animation Day in Cannes websitefilmfestivals.com pages dedicated to Animation Day in Cannes and our Youtube channel, which will be offered for buyers and Media.

 

Info I Submit Now I Website I Facebook Twitter I Contact Laurie Gordon

Digital Gym

 

 

MORE FESTIVALS CALLING

http://www.filmfestivalspro.com/channel/festivals/call_for_entry

DEADLINES APPROACHING FAST: Browse by dates, genre... in the search engine

 

THE DISCOVERY SECTION Browse our site for other festival calling now.

Bookmark this link

 

Add a film listing to your profile, your free entry in the film directory on filmfestivals.com
http://www.filmfestivals.com/en/node/add/film

Feed your blog profile, promote for free
http://www.Filmfestivals.com/node/add

Digital Gym

PROMOTE YOUR FILM AND GET READY FOR THE FESTIVAL CIRCUIT.

 

We can offer Festival consulting and marketing services to fit your film ambitions.


-          The 500€ Festival Fast Track 

 

The Festival Fast Track service offers you a presence in the film showcase page with links and video streaming. The Film promotion Showcase is a combination of online services, (charged 500€ or about $690) that will bring recognition from our international audience who trust us as the only international media totally dedicated to the festival circuit. The Film promotion Showcase includes all those features: 

- Film directory Database listing of your film. Ready for a quick initial evaluation.

- Your film and logo featured on the Showcase Section (linked from all pages) to highlight the film blog itself (example here) including a dedicated page.

- Newsletter messages:  2 runs to our newsletter audience of 125 000 (4 lines) sample

- Editorial on filmfestivals.com about your film, 1 article guaranteed.

- One week long banner campaign on our sites. 728X90 pixels

- And we include your film in our monthly blast to festival programmers and other festival staffers 

-          The 350€ Film Showcase Booster

The package includes the previous packages benefits less the banner campaign.  

-           The 150€ Filmmakers Showcase Eblast to festival Programers 

The package and includes your ad in the eBlast with 4 lines promo : visual, title, link to trailer, synopsis 190$ 150€ 

 

We can also brainstorm with a range of packages include your film blog promotion with banners and newsletter ads  

We can also discuss a Cannes presence as we are a regular partner of Cannes Market.

We can work with you on a consulting basis around a viral campaign

We help some filmmakers and assist them in the Festival Circuit designing the strategy, handling festival submissions, waiving submission feees, negotiating screening fees...

Just ask me bruno@m21entertainment.com

 

 

 

Kind regards
Bruno Chatelin

bruno@filmfestivals.com

 

US Documentary competition Sundance 2018

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U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Chasing Coral, Life, Animated, Cartel Land and City of Gold.
 
Bisbee '17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premiere
 
Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere
 
Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — "Dark money" contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere
 
The Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere. THE NEW CLIMATE
 
Hal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere
 
Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere
 
Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE

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Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. DAY ONE

Kusama - Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere
 
The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere
 
Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere
 
On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere
 
The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold. World Premiere
 
Seeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere
 
The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing's devastating consequences, captured by Cindy's brother, follows her and her family over the course of ten years. World Premiere
 
Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives - and could transform our understanding of human nature forever. World Premiere
 

World Documentary competition

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Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Motherland, Last Men in Aleppo, Joshua: Teenager vs Superpower and Hooligan Sparrow.
 
A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere
 
Anote's Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE
 
The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn't like: violence, pornography and political content. Who is controlling what we see...and what we think? World Premiere
 
Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere
 
MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere
 
Of Fathers and Sons / Germany, Syria, Lebanon (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere
 
The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere

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Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. DAY ONE

Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints. World Premiere
 
This is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere
 
Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere
 
A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker's presence, she decides to escape the unbearable oppression and become a free person. North American Premiere

Next in Sundance 2018

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NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a "greater" next wave in American cinema. Films that have premiered in this category in recent years include A Ghost Story, Tangerine and A Girl Walks Home Alone At Night. Presented by Adobe.

3fe48c84-66b6-43f2-99bd-1d59fe48e4a3.jpg306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE

A Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere
 
An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger's unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called 'An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere
 
Clara's Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere
 
Madeline's Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere
 
Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere
 
Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.
 
Skate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere
 
We The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere
 
White Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere
 

Documentary Premieres in Sundance 2018

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DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include An Inconvenient Sequel, The Hunting Ground, Going Clear and What Happened, Miss Simone?
 
Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere
 
Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere
 
Chef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother's camera, and sets out to challenge the hierarchy of the culinary world. World Premiere
 
The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world's most dangerous myth. World Premiere

40c167f7-f2ca-42fc-8099-fc66bfafae68.jpgGeneration Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE

Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere
 
Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she's done it all in the public eye. An intimate look at one woman's singular journey. World Premiere
 
King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere
 
Quiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere

RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere
 
Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere
 
STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell -- two best friends from Brooklyn who conquered New York City -- frame this history of the "greatest club of all time." World Premiere
 
Won't You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred's ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

Midnight Madness and Comedy in Sundance

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MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include The Little Hours, The Babadook and Get Out.
 
Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere
 
Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere
 
Mandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere
 
Never Goin' Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they've gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere
 
Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere
 
Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere
 
Summer of '84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere
 


Spotlight section in Sundance 2018

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SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include Lunchbox, Ida, Raw and The Lobster.
 
BEAST / United Kingdom (Director and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie) — In a small island community, a troubled young woman falls for a mysterious outsider who empowers her to escape from her oppressive family. When he comes under suspicion for a series of brutal murders, she learns what she’s capable of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. U.S. Premiere
 
The Death of Stalin / France, United Kingdom, Belgium (Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The internal political landscape of 1950’s Soviet Russia through a darkly comic lens. In the days following Stalin’s collapse, his core ministers tussle for control; some want positive change, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. U.S. Premiere
 
Foxtrot / Israel (Director and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated when army officials show up at their home, announcing the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life's unfathomable twists, which rivals his son's surreal military experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray.
 
I Am Not a Witch / United Kingdom (Director and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — After a minor incident, nine-year old Shula is exiled to a witch camp where she is told that if she escapes, she'll be transformed into a goat. As she navigates through her new life, she must decide whether to accept her fate or risk the consequences of seeking freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. U.S. Premiere
 
The Rider / U.S.A. (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — After a tragic riding accident, young cowboy and rising rodeo circuit star Brady Jandreau is told that his competition days are over. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of manhood in America's heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. Utah Premiere
 
Super Size Me 2: Holy Chicken! / U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry - this time from behind the register - as he opens his own fast food restaurant. U.S. Premiere

Sundance 2018 for Kids

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KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include My Life as a Zucchini, The Eagle Huntress and Shaun the Sheep.
 
Lu Over the Wall / Japan (Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a lonely teenage boy who lives in a small fishing village. One day, he meets and befriends Lu, a fun-loving mermaid whose singing is hypnotic to all who hear it. But the townspeople have always thought that mermaids bring disaster… World Premiere
 
Science Fair / U.S.A. (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine high school students from around the globe navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. Facing off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. World Premiere
 
White Fang / U.S.A. (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An updated reimagining of Jack London's classic novel, this thrilling tale of kindness, survival and the twin majesties of the animal kingdom and mankind traces the loving and magnificent hero White Fang, whose intense curiosity leads him on the adventure of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti. World Premiere

Premiere features in Sundance 2018

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PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Big Sick, Call Me By Your Name, Boyhood and Mudbound.
 
A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere
 
Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere
 
The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere
 
Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband's request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere
 
Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere
 
Damsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere
 
Don't Worry, He Won't Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes...and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere
 
Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation's way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere
 
The Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere
 
Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere
 
Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker's celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O'Dowd. World Premiere
 
Ophelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere
 
Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere
 
Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere
 
What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

Sundance 2018 selects 110 Independent Films From 29 Countries

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(Top, L-R) The Miseducation of Cameron Post, Credit: Jeong Park, Anote’s Ark, Credit: Matthieu Rytz; Search, Credit: Juan Sebastian Baron. (Bottom, L-R) King In the Wilderness, Credit: Flip Schulke Archives/Getty Images, The Kindergarten Teacher, Credit: Courtesy of Sundance Institute, Half the Picture, Credit: Ashly Covington.

Sundance Institute showcases bold, independent storytelling at the 2018 Sundance Film Festival, beginning with today’s announcement of feature films selected across all categories. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 18–28.
 
The Festival represents the flagship of the Institute’s public programs, which also include Festivals in London and Hong Kong and other screenings throughout the year. Sundance Institute supports independent artists with year-round programs, granting more than $2.5 million and convening 25 global residency Labs focusing on theatre, film, New Frontier and episodic content.
 
Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”
 
Keri Putnam, Executive Director of Sundance Institute, said, "We're proud of the diversity of this year's lineup; emboldening broader, more inclusive independent voices is a crucial part of our work at the Festival and throughout the year. These stories might inspire or move us, even occasionally make us uncomfortable – but they can shift our perspectives, spark conversation and create change.”
 
John Cooper, Director of the Sundance Film Festival, said, “These films and voices offer a creative lens to view our complex times. This is connected, relevant, global art that provides a fresh alternative to the noise dominating the cultural mainstream, and an inspiration for its future.”
 
For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and  8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres. In 2017, the Festival drew 71,638 attendees, generated $151.5 million in economic activity for the state of Utah and supported 2,778 local jobs.
 
More lineup announcements, including Shorts, new-this-year Indie Episodic and New Frontier, are forthcoming; watch sundance.org/festival.

U.S. DRAMATIC COMPETITION
Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Fruitvale Station, Patti Cake$, Swiss Army Man and The Diary of a Teenage Girl.
 
American Animals / U.S.A. (Director and screenwriter: Bart Layton, Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski) — The unbelievable but mostly true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in U.S. history. Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier. World Premiere
 
BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton. World Premiere

56c3e850-513f-48d1-b5f5-ad69027ab2c5.jpgBlindspotting / U.S.A. (Director: Carlos Lopez Estrada, Screenwriters: Rafael Casal, Daveed Diggs, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs) — A buddy comedy in a world that won't let it be one. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones. World Premiere. DAY ONE

Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. World Premiere
 
Eighth Grade / U.S.A. (Director and screenwriter: Bo Burnham, Producers: Scott Rudin, Eli Bush, Christopher Storer, Lila Yacoub) — Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school. Cast: Elsie Fisher, Josh Hamilton. World Premiere.
 
I Think We're Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning. World Premiere
 
The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Celine Rattray, Trudie Styler, Maggie Gyllenhaal, Osnat Handelsman-Keren, Talia Kleinhendler) — Lisa Spinelli is a Staten Island teacher who is unusually devoted to her students. When she discovers one of her five-year-olds is a prodigy, she becomes fascinated with the boy, ultimately risking her family and freedom to nurture his talent. Based on the acclaimed Israeli film. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. World Premiere
 
Lizzie / U.S.A. (Director: Craig William Macneill, Screenwriter: Bryce Kass, Producers: Naomi Despres, Liz Destro) — Based on the 1892 murder of Lizzie Borden’s family in Fall River, MA, this tense psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within — and her intimate bond with the family’s young Irish housemaid, Bridget Sullivan. Cast: Chloë Sevigny, Kristen Stewart, Jamey Sheridan, Fiona Shaw, Kim Dickens, Denis O'Hare. World Premiere
 
The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth's acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle. World Premiere
 
Monster / U.S.A. (Director: Anthony Mandler, Screenwriters: Radha Blank, Cole Wiley, Janece Shaffer, Producers: Tonya Lewis Lee, Nikki Silver, Aaron L. Gilbert, Mike Jackson, Edward Tyler Nahem) — “Monster” is what the prosecutor calls 17 year old honors student and aspiring filmmaker Steve Harmon. Charged with felony murder for a crime he says he did not commit, the film follows his dramatic journey through a complex legal battle that could leave him spending the rest of his life in prison. Cast: Kelvin Harrison Jr., Jeffrey Wright, Jennifer Hudson, Rakim Mayers, Jennifer Ehle, Tim Blake Nelson. World Premiere
 
Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan. World Premiere
 
NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo. World Premiere
 
Sorry to Bother You / U.S.A. (Director and screenwriter: Boots Riley, Producers: Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy, Kelly Williams) — In a speculative and dystopian not-too-distant future, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe. Cast: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwicke. World Premiere
 
The Tale / U.S.A. (Director and screenwriter: Jennifer Fox, Producers: Oren Moverman, Lawrence Inglee, Laura Rister, Mynette Louie, Sol Bondy, Simone Pero) — An investigation into one woman's memory as she’s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive; based on the filmmaker's own story. Cast: Laura Dern, Isabel Nelisse, Jason Ritter, Elizabeth Debicki, Ellen Burstyn, Common. World Premiere
 
TYREL / U.S.A. (Director and screenwriter: Sebastian Silva, Producers: Jacob Wasserman, Max Born) — Tyler spirals out of control when he realizes he’s the only black person attending a weekend birthday party in a secluded cabin. Cast: Jason Mitchell, Christopher Abbott, Michael Cera, Caleb Landry Jones, Ann Dowd. World Premiere
 
Wildlife / U.S.A. (Director: Paul Dano, Screenwriters: Paul Dano, Zoe Kazan, Producers: Andrew Duncan, Alex Saks, Oren Moverman, Ann Ruark, Jake Gyllenhaal, Riva Marker) — Montana, 1960: A portrait of a family in crisis. Based on the novel by Richard Ford. Cast: Carey Mulligan, Ed Oxenbould, Bill Camp, Jake Gyllenhaal. World Premiere
 
 
U.S. DOCUMENTARY COMPETITION
Sixteen world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Chasing Coral, Life, Animated, Cartel Land and City of Gold.
 
Bisbee '17 / U.S.A. (Director and screenwriter: Robert Greene, Producers: Douglas Tirola, Susan Bedusa, Bennett Elliott) — An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Locals collaborate to stage recreations of their controversial past. Cast: Fernando Serrano, Laurie McKenna, Ray Family, Mike Anderson, Graeme Family, Richard Hodges. World Premiere
 
Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. World Premiere
 
Dark Money / U.S.A. (Director and screenwriter: Kimberly Reed, Producer: Katy Chevigny) — "Dark money" contributions, made possible by the U.S. Supreme Court's Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics. World Premiere
 
The Devil We Know / U.S.A. (Director: Stephanie Soechtig, Producers: Kristin Lazure, Stephanie Soechtig, Joshua Kunau, Carly Palmour) — Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply. World Premiere. THE NEW CLIMATE
 
Hal / U.S.A. (Director: Amy Scott, Producers: Christine Beebe, Jonathan Lynch, Brian Morrow) — Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce. World Premiere
 
Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — An exploration of coming-of-age in the Black Belt of the American South, using stereotypical imagery to fill in the landscape between iconic representations of black men and encouraging a new way of looking, while resistance to narrative suspends conclusive imagining – allowing the viewer to complete the film. World Premiere
 
Inventing Tomorrow / U.S.A. (Director: Laura Nix, Producers: Diane Becker, Melanie Miller, Laura Nix) — Take a journey with young minds from around the globe as they prepare their projects for the largest convening of high school scientists in the world, the Intel International Science and Engineering Fair (ISEF). Watch these passionate innovators find the courage to face the planet’s environmental threats while navigating adolescence. World Premiere. THE NEW CLIMATE

1e440fbd-f332-423e-a2d5-cd86d601fad4.jpgKailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible. World Premiere. DAY ONE

Kusama - Infinity / U.S.A. (Director and screenwriter: Heather Lenz, Producers: Karen Johnson, Heather Lenz, Dan Braun, David Koh) — Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art. World Premiere
 
The Last Race / U.S.A. (Director: Michael Dweck, Producers: Michael Dweck, Gregory Kershaw) — A cinematic portrait of a small town stock car track and the tribe of drivers that call it home as they struggle to hold onto an American racing tradition. The avant-garde narrative explores the community and its conflicts through an intimate story that reveals the beauty, mystery and emotion of grassroots auto racing. World Premiere
 
Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship. World Premiere
 
On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Marie Therese Guirgis, Hayley Pappas, Brock Williams, Bryn Mooser, Adam Bardach) — A Yazidi genocide and ISIS sexual slavery survivor, 23-year-old Nadia Murad is determined to tell the world her story. As her journey leads down paths of advocacy and fame, she becomes the voice of her people and their best hope to spur the world to action. International Premiere
 
The Price of Everything / U.S.A. (Director: Nathaniel Kahn, Producers: Jennifer Blei Stockman, Debi Wisch, Carla Solomon) — With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a funhouse mirror up to our values and our times – where everything can be bought and sold. World Premiere
 
Seeing Allred / U.S.A. (Directors: Sophie Sartain, Roberta Grossman, Producers: Roberta Grossman, Sophie Sartain, Marta Kauffman, Robbie Rowe Tollin, Hannah KS Canter) — Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight. World Premiere
 
The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing's devastating consequences, captured by Cindy's brother, follows her and her family over the course of ten years. World Premiere
 
Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives - and could transform our understanding of human nature forever. World Premiere
 

WORLD CINEMA DRAMATIC COMPETITION
Twelve films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Nile Hilton Incident, Second Mother, Berlin Syndrome and The Lure.
 
And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. World Premiere
 
Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. Cast: Tolga Tekin, Bartu Küçükçağlayan, Tuğçe Altuğ, Serkan Keskin, Hakan Karsak. World Premiere
 
Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl. World Premiere
 
The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. World Premiere
 
Holiday / Denmark, Netherlands, Sweden (Director: Isabella Eklöf, Screenwriters: Isabella Eklöf, Johanne Algren, Producer: David B. Sørensen) — A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera. Cast: Victoria Carmen Sonne, Lai Yde, Thijs Römer. World Premiere

e7a2734b-7986-4154-be71-886031fcc0c5.jpgLoveling / Brazil, Uruguay (Director: Gustavo Pizzi, Screenwriters: Gustavo Pizzi, Karine Teles, Producers: Tatiana Leite, Rodrigo Letier, Agustina Chiarino, Fernando Epstein) — On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world. Cast: Karine Teles, Otavio Muller, Adriana Esteves, Konstantinos Sarris, Cesar Troncoso. World Premiere. DAY ONE

Pity / Greece, Poland (Director: Babis Makridis, Screenwriters: Efthimis Filippou, Babis Makridis, Producers: Amanda Livanou, Christos V. Konstantakopoulos, Klaudia Śmieja, Beata Rzeźniczek) — The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him. Cast: Yannis Drakopoulos, Evi Saoulidou, Nota Tserniafski, Makis Papadimitriou, Georgina Chryskioti, Evdoxia Androulidaki. World Premiere
 
The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo "Puma" Goity, Darío Grandinetti. World Premiere
 
Rust / Brazil (Director: Aly Muritiba, Screenwriters: Aly Muritiba, Jessica Candal, Producer: Antônio Junior) — Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes an end. Cast: Giovanni De Lorenzi, Tifanny Dopke, Enrique Diaz, Clarissa Kiste, Duda Azevedo, Pedro Inoue. World Premiere
 
Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. Cast: Luis Gerardo Mendez, Miguel Rodarte, Andrés Almeida, Cassandra Ciangherotti, Monserrat Marañon, R.J. Mitte. World Premiere
 
Un Traductor / Canada, Cuba (Directors: Rodrigo Barriuso, Sebastián Barriuso, Screenwriter: Lindsay Gossling, Producers: Sebastián Barriuso, Lindsay Gossling) — A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they are sent to Cuba for medical treatment. Based on a true story. Cast: Rodrigo Santoro, Maricel Álvarez, Yoandra Suárez. World Premiere
 
Yardie / United Kingdom (Director: Idris Elba, Screenwriters: Brock Norman Brock, Martin Stellman, Producers: Gina Carter, Robin Gutch) — Jamaica, 1973. When a young boy witnesses his brother’s assassination, a powerful Don gives him a home. Ten years later he is sent on a mission to London. He reunites with his girlfriend and their daughter, but then the past catches up with them. Based on Victor Headley's novel. Cast: Aml Ameen, Shantol Jackson, Stephen Graham, Fraser James, Sheldon Shepherd, Everaldo Cleary. World Premiere
 

WORLD CINEMA DOCUMENTARY COMPETITION
Twelve documentaries by some of the most courageous and extraordinary international filmmakers working today. Films that have premiered in this category in recent years include Motherland, Last Men in Aleppo, Joshua: Teenager vs Superpower and Hooligan Sparrow.
 
A Polar Year / France (Director: Samuel Collardey, Screenwriters: Samuel Collardey, Catherine Paillé, Producer: Grégoire Debailly) — Anders leaves his native Denmark for a teaching position in rural Greenland. As soon as he arrives, he finds himself at odds with tightly-knit locals. Only through a clumsy and playful trial of errors can Anders shake his Euro-centric assumptions and embrace their snow-covered way of life. Cast: Anders Hvidegaard, Asser Boassen, Julius B. Nielsen, Tobias Ignatiussen, Thomasine Jonathansen, Gert Jonathansen. World Premiere
 
Anote's Ark / Canada (Director: Matthieu Rytz, Producers: Bob Moore, Mila Aung-Thwin, Daniel Cross, Shari Plummer, Shannon Joy) — How does a nation survive being swallowed by the sea? Kiribati, on a low-lying Pacific atoll, will disappear within decades due to rising sea levels, population growth, and climate change. This exploration of how to migrate an entire nation with dignity interweaves personal stories of survival and resilience. World Premiere. THE NEW CLIMATE
 
The Cleaners / Germany, Brazil (Directors: Moritz Riesewieck, Hans Block, Screenwriters: Moritz Riesewieck, Hans Block, Georg Tschurtschenthaler, Producers: Christian Beetz, Georg Tschurtschenthaler, Julie Goldman, Christopher Clements, Fernando Dias, Mauricio Dias) — When you post something on the web, can you be sure it stays there? Enter a hidden shadow industry of digital cleaning, where the Internet rids itself of what it doesn't like: violence, pornography and political content. Who is controlling what we see...and what we think? World Premiere
 
Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down. World Premiere
 
MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. World Premiere
 
Of Fathers and Sons / Germany, Syria, Lebanon (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. North American Premiere
 
The Oslo Diaries / Israel, Canada (Directors and screenwriters: Mor Loushy, Daniel Sivan, Producers: Hilla Medalia, Ina Fichman) — In 1992, Israeli-Palestinian relations reached an all time low. In an attempt to stop the bloodshed, a group of Israelis and Palestinians met illegally in Oslo. These meetings were never officially sanctioned and held in complete secrecy. They changed the Middle East forever. World Premiere

e5a10224-0375-4e21-8b16-b3e733b4fdc1.jpgOur New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender) — The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. World Premiere. DAY ONE

Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints. World Premiere
 
This is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producer: Lindsey Megrue) This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. World Premiere
 
Westwood / United Kingdom (Director: Lorna Tucker, Producers: Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek) — Dame Vivienne Westwood: punk, icon, provocateur and one of the most influential originators in recent history. This is the first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand’s integrity, her principles – and her legacy. World Premiere
 
A Woman Captured / Hungary (Director and screenwriter: Bernadett Tuza-Ritter, Producers: Julianna Ugrin, Viki Réka Kiss, Erik Winker, Martin Roelly) — A European woman has been kept by a family as a domestic slave for 10 years – one of over 45 million victims of modern-day slavery. Drawing courage from the filmmaker's presence, she decides to escape the unbearable oppression and become a free person. North American Premiere
 
 
NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Digital technology paired with unfettered creativity promises that the films in this section will shape a "greater" next wave in American cinema. Films that have premiered in this category in recent years include A Ghost Story, Tangerine and A Girl Walks Home Alone At Night. Presented by Adobe.

3fe48c84-66b6-43f2-99bd-1d59fe48e4a3.jpg306 Hollywood / U.S.A., Hungary (Directors: Elan Bogarín, Jonathan Bogarín, Screenwriters: Jonathan Bogarín, Elan Bogarín, Nyneve Laura Minnear, Producers: Elan Bogarín, Jonathan Bogarín, Judit Stalter) — When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind. World Premiere. DAY ONE

A Boy, A Girl, A Dream. / U.S.A. (Director: Qasim Basir, Screenwriters: Qasim Basir, Samantha Tanner, Producer: Datari Turner) — On the night of the 2016 Presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers. Cast: Omari Hardwick, Meagan Good, Jay Ellis, Kenya Barris, Dijon Talton, Wesley Jonathan. World Premiere
 
An Evening With Beverly Luff Linn / United Kingdom, U.S.A. (Director: Jim Hosking, Screenwriters: Jim Hosking, David Wike, Producers: Sam Bisbee, Theodora Dunlap, Oliver Roskill, Emily Leo, Lucan Toh, Andy Starke) — Lulu Danger's unsatisfying marriage takes a fortunate turn for the worse when a mysterious man from her past comes to town to perform an event called 'An Evening With Beverly Luff Linn For One Magical Night Only.’ Cast: Aubrey Plaza, Emile Hirsch, Jemaine Clement, Matt Berry, Craig Robinson. World Premiere
 
Clara's Ghost / U.S.A. (Director and screenwriter: Bridey Elliott, Producer: Sarah Winshall) — Set over the course of a single evening at the Reynolds’ family home in Connecticut, Clara, fed up with the constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. Cast: Paula Niedert Elliott, Chris Elliott, Abby Elliott, Bridey Elliott, Haley Joel Osment, Isidora Goreshter. World Premiere
 
Madeline's Madeline / U.S.A. (Director and screenwriter: Josephine Decker, Producers: Krista Parris, Elizabeth Rao) — Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is. Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili, Felipe Bonilla, Lisa Tharps. World Premiere
 
Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel. World Premiere
 
Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. World Premiere. WINNER: 2018 Alfred P. Sloan Feature Film Prize.
 
Skate Kitchen / U.S.A. (Director: Crystal Moselle, Screenwriters: Crystal Moselle, Ashlihan Unaldi, Producers: Lizzie Nastro, Izabella Tzenkova, Julia Nottingham, Matthew Perniciaro, Michael Sherman, Rodrigo Teixeira) — Camille's life as a lonely suburban teenager changes dramatically when she befriends a group of girl skateboarders. As she journeys deeper into this raw New York City subculture, she begins to understand the true meaning of friendship as well as her inner self. Cast: Rachelle Vinberg, Dede Lovelace, Jaden Smith, Nina Moran, Ajani Russell, Kabrina Adams. World Premiere
 
We The Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Santiago. World Premiere
 
White Rabbit / U.S.A. (Director: Daryl Wein, Screenwriters: Daryl Wein, Vivian Bang, Producers: Daryl Wein, Vivian Bang) —A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles. Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas, Elizabeth Sung, Michelle Sui. World Premiere
 
 
PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year. Films that have premiered in this category in recent years include The Big Sick, Call Me By Your Name, Boyhood and Mudbound.
 
A Kid Like Jake / U.S.A. (Director: Silas Howard, Screenwriter: Daniel Pearle, Producers: Jim Parsons, Todd Spiewak, Eric Norsoph, Paul Bernon, Rachel Song) — As married couple Alex and Greg navigate their roles as parents to a young son who prefers Cinderella to G.I. Joe, a rift grows between them, one that forces them to confront their own concerns about what’s best for their child, and each other. Cast: Claire Danes, Jim Parsons, Octavia Spencer, Priyanka  Chopra, Ann Dowd, Amy Landecker. World Premiere
 
Beirut / U.S.A. (Director: Brad Anderson, Screenwriter: Tony Gilroy) — A U.S. diplomat flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by CIA operatives to negotiate for the life of a friend he left behind. Cast: Jon Hamm, Rosamund Pike, Shea Whigham, Dean Norris. World Premiere
 
The Catcher Was a Spy / U.S.A. (Director: Ben Lewin, Screenwriter: Robert Rodat, Producers: Kevin Frakes, Tatiana Kelly, Buddy Patrick, Jim Young) — The true story of Moe Berg – professional baseball player, Ivy League graduate, attorney who spoke nine languages – and a top-secret spy for the OSS who helped the U.S. win the race against Germany to build the atomic bomb. Cast: Paul Rudd, Mark Strong, Sienna Miller, Jeff Daniels, Guy Pearce, Paul Giamatti. World Premiere
 
Colette / United Kingdom (Director: Wash Westmoreland, Screenwriters: Wash Westmoreland, Richard Glatzer, Producers: Pamela Koffler, Christine Vachon, Elizabeth Karlsen, Stephen Woolley) — A young country woman marries a famous literary entrepreneur in turn-of-the-century Paris: At her husband's request, Colette pens a series of bestselling novels published under his name. But as her confidence grows, she transforms not only herself and her marriage, but the world around her. Cast: Keira Knightley, Dominic West, Fiona Shaw, Denise Gough, Elinor Tomlinson, Aiysha Hart. World Premiere
 
Come Sunday / U.S.A. (Director: Joshua Marston, Screenwriter: Marcus Hinchey, Producers: Ira Glass, Alissa Shipp, Julie Goldstein, James Stern, Lucas Smith, Cindy Kirven) — Internationally-renowned pastor Carlton Pearson — experiencing a crisis of faith — risks his church, family and future when he questions church doctrine and finds himself branded a modern-day heretic. Based on actual events. Cast: Chiwetel Ejiofor, Danny Glover, Condola Rashad, Jason Segel, Lakeith Stanfield, Martin Sheen. World Premiere
 
Damsel / U.S.A. (Directors and screenwriters: David Zellner, Nathan Zellner, Producers: Nathan Zellner, Chris Ohlson, David Zellner) — Samuel Alabaster, an affluent pioneer, ventures across the American Frontier to marry the love of his life, Penelope. As Samuel, a drunkard named Parson Henry and a miniature horse called Butterscotch traverse the Wild West, their once-simple journey grows treacherous, blurring the lines between hero, villain and damsel. Cast: Robert Pattinson, Mia Wasikowska, David Zellner, Robert Forster, Nathan Zellner, Joe Billingiere. World Premiere
 
Don't Worry, He Won't Get Far On Foot / U.S.A. (Director: Gus Van Sant, Screenwriters: Gus Van Sant (screenplay), John Callahan (biography), Producers: Charles-Marie Anthonioz, Mourad Belkeddar, Steve Golin, Nicolas Lhermitte) — John Callahan has a talent for off-color jokes...and a drinking problem. When a bender ends in a car accident, Callahan wakes permanently confined to a wheelchair. In his journey back from rock bottom, Callahan finds beauty and comedy in the absurdity of human experience. Cast: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black. World Premiere
 
Futile and Stupid Gesture / U.S.A. (Director: David Wain, Screenwriters: John Aboud, Michael Colton, Producers: Peter Principato, Jonathan Stern) — The story of comedy wunderkind Doug Kenney, who co-created the National Lampoon, Caddyshack, and Animal House. Kenney was at the center of the 70’s comedy counter-culture which gave birth to Saturday Night Live and a whole generation's way of looking at the world. Cast: Will Forte, Martin Mull, Domhnall Gleeson, Matt Walsh, Joel McHale, Emmy Rossum. World Premiere
 
The Happy Prince / Germany, Belgium, Italy (Director and screenwriter: Rupert Everett) — The last days of Oscar Wilde—and the ghosts haunting them—are brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Cast: Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett. World Premiere
 
Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere
 
Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker's celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O'Dowd. World Premiere
 
Ophelia / United Kingdom (Director: Claire McCarthy, Screenwriter: Semi Chellas, Producers: Daniel Bobker, Sarah Curtis, Ehren Kruger, Paul Hanson) — A mythic spin on Hamlet through a lens of female empowerment: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny. Cast: Daisy Ridley, Naomi Watts, Clive Owen, George MacKay, Tom Felton, Devon Terrell. World Premiere
 
Puzzle / U.S.A. (Director: Marc Turtletaub, Screenwriter: Oren Moverman, Producers: Peter Saraf, Wren Arthur, Guy Stodel) — Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world – where her life unfolds in ways she could never have imagined. Cast: Kelly Macdonald, Irrfan Khan, David Denman, Bubba Weiler, Austin Abrams, Liv Hewson. World Premiere
 
Untitled Debra Granik Project / U.S.A. (Director: Debra Granik, Screenwriters: Debra Granik, Anne Rosellini, Producers: Anne Harrison, Linda Reisman, Anne Rosellini) — A father and daughter live a perfect but mysterious existence in Forest Park, a beautiful nature reserve near Portland, Oregon, rarely making contact with the world. A small mistake tips them off to authorities sending them on an increasingly erratic journey in search of a place to call their own. Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Korber, Dale Dickey. World Premiere
 
What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko) — Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere


DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Films that have premiered in this category in recent years include An Inconvenient Sequel, The Hunting Ground, Going Clear and What Happened, Miss Simone?
 
Bad Reputation / U.S.A. (Director: Kevin Kerslake, Screenwriter: Joel Marcus, Producers: Peter Afterman, Carianne Brinkman) — A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer . World Premiere
 
Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere
 
Chef Flynn / U.S.A. (Director: Cameron Yates, Producer: Laura Coxson) — Ten-year-old Flynn transforms his living room into a supper club, using his classmates as line cooks and serving a tasting menu foraged from his neighbors’ backyards. With sudden fame, Flynn outgrows his bedroom kitchen and mother's camera, and sets out to challenge the hierarchy of the culinary world. World Premiere
 
The Game Changers / U.S.A. (Director: Louie Psihoyos, Screenwriters: Mark Monroe, Joseph Pace, Producers: Joseph Pace, James Wilks) — James Wilks, an elite special forces trainer and winner of The Ultimate Fighter, embarks on a quest for the truth in nutrition and uncovers the world's most dangerous myth. World Premiere

40c167f7-f2ca-42fc-8099-fc66bfafae68.jpgGeneration Wealth / U.S.A. (Director: Lauren Greenfield, Producers: Lauren Greenfield, Frank Evers) — Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom–bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed. World Premiere. DAY ONE

Half The Picture / U.S.A. (Director: Amy Adrion, Producers: Amy Adrion, David Harris) — At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally. World Premiere
 
Jane Fonda in Five Acts / U.S.A. (Director: Susan Lacy, Producers: Susan Lacy, Jessica Levin, Emma Pildes) — Girl next door, activist, so-called traitor, fitness tycoon, Oscar winner: Jane Fonda has lived a life of controversy, tragedy and transformation – and she's done it all in the public eye. An intimate look at one woman's singular journey. World Premiere
 
King In The Wilderness / U.S.A. (Director: Peter Kunhardt, Producers: George Kunhardt, Teddy Kunhardt) From the passage of the Voting Rights Act in 1965 to his assassination in 1968, Martin Luther King, Jr. remained a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. A portrait of the last years of his life. World Premiere
 
Quiet Heroes / U.S.A. (Director: Jenny Mackenzie, Co-Directors: Jared Ruga, Amanda Stoddard, Producers: Jenny Mackenzie, Jared Ruga, Amanda Stoddard) — In Salt Lake City, Utah, the socially conservative religious monoculture complicated the AIDS crisis, where patients in the entire state and intermountain region relied on only one doctor. This is the story of her fight to save a maligned population everyone else seemed willing to just let die. World Premiere

RBG / U.S.A. (Directors and producers: Betsy West, Julie Cohen) — An intimate portrait of an unlikely rock star: Justice Ruth Bader Ginsburg. With unprecedented access, the filmmakers show how her early legal battles changed the world for women. Now this 84-year-old does push-ups as easily as she writes blistering dissents that have earned her the title “Notorious RBG.” World Premiere
 
Robin Williams: Come Inside My Mind / U.S.A. (Director: Marina Zenovich, Producers: Alex Gibney, Shirel Kozak) — This intimate portrait examines one of the world’s most beloved and inventive comedians. Told largely through Robin’s own voice and using a wealth of never-before-seen archive, the film takes us through his extraordinary life and career and reveals the spark of madness that drove him. World Premiere
 
STUDIO 54 / U.S.A. (Director: Matt Tyrnauer, Producers: Matt Tyrnauer, John Battsek, Corey Reeser) — Studio 54 was the pulsating epicenter of 1970s hedonism: a disco hothouse of beautiful people, drugs, and sex. The journeys of Ian Schrager and Steve Rubell -- two best friends from Brooklyn who conquered New York City -- frame this history of the "greatest club of all time." World Premiere
 
Won't You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred's ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM
 

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include The Little Hours, The Babadook and Get Out.
 
Arizona / U.S.A. (Director: Jonathan Watson, Screenwriter: Luke Del Tredici, Producers: Dan Friedkin, Bradley Thomas, Ryan Friedkin, Danny McBride, Brandon James) — Set in the midst of the 2009 housing crisis, this darkly comedic story follows Cassie Fowler, a single mom and struggling realtor whose life goes off the rails when she witnesses a murder. Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson. World Premiere
 
Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem, Massachusetts, absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skarsgard, Bella Thorne. World Premiere
 
Mandy / Belgium, U.S.A. (Director: Panos Cosmatos, Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn, Producers: Daniel Noah, Josh Waller, Elijah Wood, Nate Bolotin, Adrian Politowski) — Pacific Northwest. 1983 AD. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence. When their pine-scented haven is savagely destroyed by a cult led by the sadistic Jeremiah Sand, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Olwen Fouéré, Richard Brake, Bill Duke. World Premiere
 
Never Goin' Back / U.S.A.  (Director and screenwriter: Augustine Frizzell, Producers: Toby Halbrooks, Liz Cardenas , James Johnston, David Lowery) — Jessie and Angela, high school dropout BFFs, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired and they’re broke. Now they've gotta avoid eviction, stay out of jail and get to the beach, no matter what!!! Cast: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb. World Premiere
 
Piercing / U.S.A. (Director and screenwriter: Nicolas Pesce, Producers: Josh Mond, Antonio Campos, Schuyler Weiss, Jake Wasserman) — In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryu Murakami’s novel. Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce. World Premiere
 
Revenge / France (Director and screenwriter: Coralie Fargeat, Producers: Marc-Etienne Schwartz, Jean-Yves Robin, Marc Stanimirovic) — Three wealthy married men get together for their annual hunting game in a desert canyon. This time, one of them has brought along his young mistress, who quickly arouses the interest of the other two. Things get dramatically out of hand as a hunting game turns into a ruthless manhunt. Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes. Utah Premiere
 
Summer of '84 / Canada, U.S.A. (Directors: Francois Simard, Anouk Whissell, Yoann Whissell, Screenwriters: Matt Leslie, Stephen J. Smith, Producers: Shawn Williamson, Jameson Parker, Matt Leslie, Van Toffler, Cody Zwieg) — Summer, 1984: a perfect time to be a carefree 15-year-old. But when neighborhood conspiracy theorist Davey Armstrong begins to suspect his police officer neighbor might be the serial killer all over the local news, he and his three best friends begin an investigation that soon turns dangerous. Cast: Graham Verchere, Judah Lewis, Caleb Emery, Cory Grüter-Andrew, Tiera Skovbye, Rich Sommer. World Premiere
 
 
SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include Lunchbox, Ida, Raw and The Lobster.
 
BEAST / United Kingdom (Director and screenwriter: Michael Pearce, Producers: Ivana MacKinnon, Lauren Dark, Kristian Brodie) — In a small island community, a troubled young woman falls for a mysterious outsider who empowers her to escape from her oppressive family. When he comes under suspicion for a series of brutal murders, she learns what she’s capable of as she defends him at all costs. Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle, Geraldine James, Charley Palmer Rothwell. U.S. Premiere
 
The Death of Stalin / France, United Kingdom, Belgium (Director: Armando Iannucci, Screenwriters: Armando Iannucci, David Schneider, Ian Martin, Producers: Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader) — The internal political landscape of 1950’s Soviet Russia through a darkly comic lens. In the days following Stalin’s collapse, his core ministers tussle for control; some want positive change, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. Cast: Steve Buscemi, Jeffrey Tambor, Andrea Riseborough, Rupert Friend, Olga Kurylenko, Jason Isaacs. U.S. Premiere
 
Foxtrot / Israel (Director and screenwriter: Samuel Maoz, Producers: Michael Weber, Viola Fügen, Eitan Mansuri, Cedomir Kolar, Marc Baschet, Michel Merkt) — Michael and Dafna are devastated when army officials show up at their home, announcing the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life's unfathomable twists, which rivals his son's surreal military experiences. Cast: Lior Ashkenazi, Sarah Adler, Yonatan Shiray.
 
I Am Not a Witch / United Kingdom (Director and screenwriter: Rungano Nyoni, Producers: Juliette Grandmont, Emily Morgan) — After a minor incident, nine-year old Shula is exiled to a witch camp where she is told that if she escapes, she'll be transformed into a goat. As she navigates through her new life, she must decide whether to accept her fate or risk the consequences of seeking freedom. Cast: Margaret Mulubwa, Henry B.J. Phiri, Nancy Mulilo, Margaret Sipaneia. U.S. Premiere
 
The Rider / U.S.A. (Director and screenwriter: Chloé Zhao, Producers: Chloé Zhao, Bert Hamelinck, Sacha Ben Harroche, Mollye Asher) — After a tragic riding accident, young cowboy and rising rodeo circuit star Brady Jandreau is told that his competition days are over. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of manhood in America's heartland. Cast: Brady Jandreau, Tim Jandreau, Lily Jandreau, Lane Scott, Cat Clifford. Utah Premiere
 
Super Size Me 2: Holy Chicken! / U.S.A. (Director: Morgan Spurlock, Screenwriters: Jeremy Chilnick, Morgan Spurlock, Producers: Keith Calder, Jessica Calder, Spencer Silna, Nicole Barton, Jeremy Chilnick, Matthew Galkin) — Muckraking filmmaker Morgan Spurlock reignites his battle with the food industry - this time from behind the register - as he opens his own fast food restaurant. U.S. Premiere
 

KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include My Life as a Zucchini, The Eagle Huntress and Shaun the Sheep.
 
Lu Over the Wall / Japan (Director: Masaaki Yuasa, Screenwriters: Reiko Yoshida, Masaaki Yuasa, Producer: Eunyoung Choi) — Kai is a lonely teenage boy who lives in a small fishing village. One day, he meets and befriends Lu, a fun-loving mermaid whose singing is hypnotic to all who hear it. But the townspeople have always thought that mermaids bring disaster… World Premiere
 
Science Fair / U.S.A. (Directors: Cristina Costantini, Darren Foster, Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett) — Nine high school students from around the globe navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. Facing off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. World Premiere
 
White Fang / U.S.A. (Director: Alexandre Espigares, Screenwriters: Dominique Monfery, Philippe Lioret, Serge Frydman, Producers: Jeremie Fajner, Clement Calvet, Peter Saraf, Marc Turtletaub) — An updated reimagining of Jack London's classic novel, this thrilling tale of kindness, survival and the twin majesties of the animal kingdom and mankind traces the loving and magnificent hero White Fang, whose intense curiosity leads him on the adventure of a lifetime. Cast: Rashida Jones, Nick Offerman, Eddie Spears, Paul Giamatti. World Premiere
 
 
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Super Size Me, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Sponsor seal at their venues at the Festival. sundance.org/festival
 
Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Boyhood, Swiss Army Man, Manchester By the Sea, Brooklyn, Little Miss Sunshine, Life, Animated, Sonita, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
 

 

 

 

 
 
 

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IFFI Goa 2017, XII: Winners’ List, and a few regrets

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IFFI Goa 2017, XII: Winners’ List, and a few regrets

It was an evening of regret. At the closing ceremony of the 48th International Film Festival of India (IFFI), which concluded in Panaji, Goa on November 28, six films/directors made it to the top, of which I had seen only 30% of one, the only one to win two prizes. Why I did not see the others, and why only 30% of a particular one will be explained below. But first, the LIST.

Films

 (In absentia)

1. Morocco-born French Director Robin Campillo’s drama film 120 BPM won the coveted Golden Peacock Award for the Best Film. The film, set in France in the 1990s, deals with homosexuality, and the AIDS epidemic.

BPM (120 Battements par Minute/Beats per Minute)

(France / 2017 / 144 min)

Festival Participation and awards: Cannes film Festival, Won the Grand Prix at Cannes, Nominated for Palme d'Or at Cannes, Country submission for the Best Foreign language film for the Oscars.

The Golden Peacock Award carries a cash prize of Rs 4 million (Rs 40 lakh), to be shared equally between the Producer and the Director, plus a Trophy and a citation.

 (In absentia)

2. Chinese director Vivian Qu won the Best Director Award for her 2017 film Angels Wear White. The film is about the travails of two teenage girls who are assaulted by a middle aged man in a seaside town in China. Vivian’s hard hitting social drama provides a social context for highlighting violence against women.

(China / 2017 / 107 min)

Festival Participation and awards: Official Competition in Venice Film Festival and BFI London Film Festival

As Best Director, Qu gets the Silver Peacock Award and a cash prize of Rs 1.5 million (Rs 15 lakh)

 (In absentia)

3. The Best Actor (Male) Award goes to  Nahuel Perez Biscaryat for his portrayal of AIDS activist Sean Dalmazo, an effective member of ACT UP, for underling  all the horror of the epidemic, in the French film 120 BPM. A caring lover and firm in his beliefs, Sean isn’t simply an ideologue, but someone who binds his activism to the strongest will to live.

 Parvathy on the right

4. The Best Actor (Female) goes to Parvathy T. K., for her portrayal of a nurse who wages a battle for the release of her husband, held hostage by the rebel army in the war-torn Iraq, in Mahesh Narayanan’s Malayalam film Take Off. Parvathy, who hails from Kozhikode, Kerala mostly stars in South Indian films. She has won many awards and accolades, including the Kerala State Film Award and Filmfare award.

(India-Malayalam / 2017 / 139 min)

Both Best Actor Male and Female are honoured with the Silver Peacock Trophy and a cash prize of Rs 1 million (Rs 10 lakhs each)

 Narayan on the right

5. Mahesh Narayan also walked away with the Special Jury Award for his directorial debut Take Off, which focusses on the dramatic rescue of Indians trapped in Tikrit.

Special Jury Award carries a cash prize of Rs 1.5 million (Rs 15 lakh), a Silver Peacock Award and the citation.

 In absentia

6. Bolivian director Kiro Russo won the Silver Peacock for the Best First Feature Film of a Director. Russo’s debut film Dark Skull offers a darkly beautiful subterranean study in atmosphere and mourning.

(Bolivia-Qatar / 2017 / 80 min)

Festival Participation and awards: Buenos Aires International Festival of Independent Cinema (International Competition),Cartagena Film Festival (Best Film - Mejor Película), Indie Lisboa International Independent Film Festival(International Competition), Locarno International Film Festival (Special Mention - Filmmakers of the Present), Rio de Janeiro International Film Festival (Best Latin American Film), RiverRun International Film Festival (Best Cinematography)

 Manouj Kadaamh on the right

7. Manouj Kadaamh’s Marathi language film Kshitij, produced by an NRI who now lives in the USA, has won the ICFT-UNESCO Gandhi Medal. The criteria for the Gandhi Medal reflect UNESCO’s fundamental mandate of building peace in the mind of men and women, particularly human rights, inter-cultural dialogue, promotion and safeguard of diversity of cultural expressions.

Personalities

1. One of Canada’s most celebrated art house directors, producers and writers, 57 year-old Atom Egoyan, was honoured with the IFFI 2017 Lifetime Achievement Award. The prestigious award, consisting of a cash prize of Rs 1 million (Rs 10 lakh), certificate, shawl and a scroll, was conferred upon a master film maker for his/her outstanding contribution to cinema.

Egypt-born Armenian, and now a naturalised Canadian, film-maker Egoyan’s work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy or other power structures. Egoyan's films often follow non-linear plot structures, in which events are placed out of sequence, in order to elicit specific emotional reactions from the audience by withholding key information. His films have been presented in several retrospectives across the globe. Exotica (1994), The Sweet Hereafter (1997/Cannes Critics' Prize) and Remember (2015) were screened at IFFI 2017. Earlier films include Next of Kin (1984), Family Viewing (1987) and Speaking Parts (1989). Egoyan lives in Toronto and is fond of playing the clascial guitar.

2. The Indian Film Personality of the Year Award was presented to the Hindi film industry’s legendary actor Amitabh Bachchan, whose first film, Saat Hindustani, was shot in Goa just about 50 years ago

Regrets

1. Beats per Minute is an assault on your senses, loud, sledge-hammer like. There is no denying that AIDS was a major social concern in the France of the 1990s, and remains a major health and sociological concern in 2017. With a hundred odd activists shouting, throwing things, breaking into a pharma company’s office, spilling hundreds of litres of blood, the film became intolerable, and I just had to walk out after about a third or running time (a hefty144 minutes, no less). And then it bags two major prizes! Did the film metamorphose into a classic as soon as I left the INOX auditorium? I regret I do not know, but I bow my head to the Jury. Democracy is alive, and clocks 120 beats per minute.

2. Most competition film screenings were held at an auditorium called Kala Academy. Firstly, the auditorium is not meant for film shows by any parameters. Secondly, the air-conditioning was maintaining the temperature around 29-30 degrees, which is what it was outside, making you sweat it out. (Incidentally, I am unable to bear extreme cold, and carry a cap and a muffler, lest the mercury dip below 24). Lastly, the seats have a cushioning and an angle that slides you down time and again, and after the umpteenth attempt to push myself  back to full-height, I preferred to avoid the theatre totally. The organisers were not going to either acknowledge or rectify the problems for one person, so it was more practical that the one person keeps away. That is why I could not see most of the competition films, a fact that I have to regret.

3. There is little doubt that Atom Egoyan (picture at the top) is one of the finest directors we have, and though his films show little trace of it, he has been immensely inspired by our own Satyajit Ray. But when you honour him with a Lifetime Achievement Award at an IFFI where the partner country is Canada, you do no service to the concepts of credibility and transparency. A day before the event, the Canadian delegation hosted a reception, where Egoyan was on stage, and the compère declared that he (Egoyan) will be getting the honour at an event where Amitabh Bachchan will also be honoured, and that “it does not get any bigger than this.” Subtlety, anyone? The way this award was handled was surely regrettable.

4. Unlike Atom Egoyan, Amitabh Bachchan was not getting a Lifetime Achievement Award. He was presented something called the Indian Film Personality of the Year Award. Really? What has he done this year that he has not done earlier? In fact, by Bachchan’s standards, this was a lean year. You just had to give Bachchan an award, and you had to call it something. Maybe Bachchan should have declined the offer as soon as it was made. Maybe a more convincing peg needed to be found to do justice to the superstar. But the way it was designed was regrettable.

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